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Paul Amadeus Pisk (May 16, 1893, Vienna - January 12, 1990, Los Angeles) was an Austria-born composer and musicologist. A prize named in his honor is the highest award for a graduate student paper at the annual meeting of the American Musicological Society. Pisk earned his doctorate in musicology from Vienna University in 1916, studying under Guido Adler. Afterwards he studied conducting at the Imperial Academy of Music and the Performing Arts graduating in 1919. His teachers there included Franz Schreker (counterpoint). Pisk also studied privately with Arnold Schoenberg from 1917 to 1919. He then taught at the Vienna Academy and gave adult education lectures, especially at the Volkshochschule Volksheim Ottakring, where from 1922 to 1934 he was director of the music department. He also taught at the New Vienna Conservatory from 1925 to 1926 and the Austro-American Conservatory near Salzburg from 1931 to 1933.〔 Pisk's students included Leopold Spinner. He was also a board member, secretary, and pianist in Schoenberg's Society for Private Musical Performances. He was among the founding members of the International Society for Contemporary Music and from 1920 to 1928 was coeditor of ''Musikblätter des Anbruch'' and music editor of the ''Arbeiter-Zeitung''. The first airing of his music by the British Broadcasting Corporation took place on July 3, 1930, when Austrian pianist Friedrich Wührer played Pisk's ''Suite for Piano''. In 1936 he emigrated to the United States and taught at the University of Redlands (1937-1951), the University of Texas at Austin (1951-1963), and Washington University in St. Louis (1963-1972). He composed orchestral works, ballets, chamber music and songs, as well as writings in music theory. His notable students include Leopold Spinner, Samuel Adler, Gary Lee Nelson, and Thomas F. Hulbert. == Major publications == * PA Pisk, "Max Reger, Briefwechsel mit Herzog Georg II von Sachsen-Meiningen." ''Journal of the American Musicological Society,'' Vol. 3, No. 2,149-151. Summer, 1950. (JSTOR ) * PA Pisk - "Subdivision of Tones: A Modern Music Theory and Philosophy" ''Bulletin of the American Musicological Society'', 1942, v.36 (JSTOR ) * PA Pisk "The Fugue Themes in Bach's Well-Tempered Clavier" ''Bulletin of the American Musicological Society'', No. 8 (Oct., 1945), pp. 28–29- (JSTOR ) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Paul Pisk」の詳細全文を読む スポンサード リンク
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